Vinyl master pro paste issues
With that said, use limiting only to protect against clipping, and not as a means to push the signal into an overall louder volume. With that said, vinyl records are often described as sounding more dynamic – this is due in part to the lack of brick wall limiting used during a vinyl mastering session, and the somewhat quieter levels established during this mastering session.īy avoiding excessing limiting while mastering for vinyl, you, in turn, reduce distortion, increase the dynamic range, and benefit the sound quality of a master and the vinyl record onto which it has been cut. If you’d like to learn more about how analog mastering adds these harmonics, here is a blog post that details analog mastering, and the processing it includes:Īny clipping distortion in the master will cause even more distortion during the cutting process. Granted, minimalistic harmonic generation will occur during any analog mastering session however, these harmonics will not pose an issue unless added excessively. With all of these potential issues in mind, it’s safe to say that distortion is best avoided when mastering for vinyl. Because the cutting process introduces its own forms of distortion, including phase distortion, harmonic distortion, and general noise, adding other forms of distortion may result in an unwanted level of distortion.įurthermore, excessive high order harmonics, or harmonics present in higher frequencies, may result in a similar effect to that of excessive sibilance, in that the excessive amplitude of the higher frequencies causes even more distortion by overwhelming the lathe. The same goes for any other form of distortion. The cutting and reproduction add distortion, so combining distortion added during mastering, and distortion added during mixing may become excessive.